Q&A with Martha Skou as part of her solo show 'Invoke,' running from October 11 to November 16, 2024.
How would you describe your artistic practice for newcomers?
My work bridges visual and auditory worlds, exploring the concept of vibrations across textiles, sculpture, ceramics, and performances. I aim to capture the invisible forces that connect us, with inspirations rooted in the idea that “everything in life is vibration,” as Einstein said. This concept guides me as I work with voice, materiality, and flowing forms.
What draws you to textiles, especially the ‘Burnout’ technique?
About ten years ago, I began experimenting with ‘Burnout,’ a textile technique traditionally used in fashion. By applying a chemical gel to natural-polyester textiles, I burn away fibers, leaving a web of polyester threads that resemble waves. This technique has become essential to my practice.
How do installations, sound, textile and ceramics connect in your work?
Each material brings a unique layer: installations create immersive spaces, sound adds emotional depth, and ceramics offer a tactile dimension. Together, they form a cohesive narrative, inviting viewers to explore the interconnections among them.
Circles and the 8 shaped Annalemma symbol appear frequently in your work. What do they represent?
The circle represents wholeness, infinity, and the cyclical nature of life, serving as a universal symbol of interconnectedness. The Annalemma, with its intricate curves and celestial connotations, signifies the passage of time and cosmic rhythms. Together, these shapes create a visual language through which I explore themes of unity and continuity.
How does collaboration with other artists shape your creative process?
Collaboration, especially with artist Louise Foo (Foo/Skou), is integral. Since 2013, we’ve created large-scale installations and interactive formats that expand my artistic practice. Working with others introduces fresh insights and keeps my work evolving.
How does your life between Chile and Denmark influence your art?
Having a home in Chile gives me a refreshing perspective, surrounded by ocean, forest, and waves that inspire my textile work. This serene setting allows us to involve our daughter in creative projects, which brings us joy as a family. I’m also part of a vibrant local art community that values spontaneity. In Denmark, I enjoy a structured routine, studio time, and Copenhagen’s dynamic art scene. The city’s energy, especially in spring, inspires me, making it a beautiful, safe haven for family life and creativity.
